‘FUCK ANGELA’ Trailer: An Homage to Classic Gonzo
Angela White is throwing it back.
FUCK ANGELA, her new retro-themed movie, pays homage to early 2000s porn. Debuting today on DVD, it captures the look and feel of an era in glorious detail. The camera equipment, costumes, themes, and even aspect ratio (think the classic square shape of pre-widescreen CRT TV) work together to evoke what has been called the “golden age of gonzo.” This was before piracy and tube sites busted budgets and scrambled porn’s business model. It was a time when porn still typically arrived in physical formats like DVD and VHS. Social media didn’t exist, so stars had to impress fans by offering head-turning performances in every movie they made.
FUCK ANGELA lives in this blissful period, one that White herself has described as her favorite era of porn. Running a whopping five hours, the movie packs plenty of action into its extended run time, from an all-star lineup of directors (Jonni Darkko, Mike John, Jules Jordan, Aiden Riley, John Stagliano, and Chris Streams).
To preview FUCK ANGELA, check out this extended trailer:
Damn. The trailer blazes from one memorable moment to the next with dizzying energy to match its heavy metal soundtrack. White gets one big dick in between her tits as she frantically fellates another. She gushes so voluminously that her squirt splatters the camera, prompting her to joke, “You’re in the splash zone!” She jams matching pink toys into her vag and booty. Her breasts slingshot up and down as she rides a co-star. She triggers ASMR by stabbing open the cap of a lube bottle. At one point, she quite literally licks the camera lens. The trailer even finds time to capture some of the movie’s quieter behind-the-scenes moments. All told, your reaction is likely to mirror the shot of Lexington Steele when the camera zooms in to record his awestruck delight as White bounces atop him.
The two-disc, six-scene Fuck Angela is primed to join Angela Loves Anal and other AGW Entertainment classics as must-own porn entertainment. All the early 2000s details are there, too, right down to the “Impact” typeface of the titles to the 4:3 window-boxed picture. Press materials indicate the movie was even shot on a Sony VX2000, the classic camera of its era. If success is a mastery of details, White and her collaborators are setting the standard.